It's worth having a system that you stick to. I like to leave these in as it feels more natural. Try deleting the breaths out of everything apart from the main vocal. If you have numerous layers of vocals, the sound of 4+ breaths can be intense. Delete any unnecessary breaths and noises. As a rule of thumb I keep my main vocal (and double) in the middle, then pan the harmonies either side of it.ģ. Roughly set volumes using faders or clip gain.īefore we even think about EQ or compression, set the basic levels and panning using the faders or clip gains. I like to use the same labelling, colouring and grouping style wherever possible.Ģ. Here's what's in store:ġ - Prepping your vocals for mixing | How To EQ Harsh Vocals & How To De-es a vocal.Ģ - How to Compress Vocals | How & When to use automationģ - How to add FX to your vocals | Using Reverb On Vocals | Vocal Delays & Throws Over the next few weeks we're going to be breaking down the process into 3 easy to digest chunks, each with it's own clear video showing you a step by step guide to for getting that vocals to sit in your mix. From knowing where to start, how to EQ harsh vocals, what FX to use and which compressor is the right one! Mixing professional sounding vocals can be hard.
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